![]() "One of the first things Glenn (Gonzales) asked me was how we quantify the ways Bluetail will positively impact their operation's bottom line," Illian added. Those are savings we can pass along to our customers." "Having all of that information digital, searchable and sharable, anywhere in the world by Bluetail will enable our mechanics to perform inspections and maintenance faster, more efficiently, and at a lower cost. "Between our growing number of new HondaJets, and an established fleet of legacy Gulfstream 150 mid-size business jets, we have thousands of pages of maintenance information contained in countless paper logbooks," he added. In order to stay on top, we have to deliver the highest level of services while keeping our rates and costs under control," stated Glenn Gonzales, CEO, and co-founder, Jet It. "Today, more than ever, fractional aircraft ownership is a highly-competitive business. "We are extremely honored that they have put their trust in Bluetail's solution." "Jet It has already established itself as an extremely forward-looking company that's being built on providing efficient and cost-effective private jet transportation to a growing list of companies and individuals," Stuart Illian, Bluetail co-founder, said. PHOENIX, Ma/PRNewswire/ - Bluetail, the leading modern aircraft records platform for business aviation, today announced that the company had been selected by Jet It to digitize all operational and maintenance logs for the hybrid fractional ownership provider's growing fleet. ![]() ![]() The leading business aviation aircraft records platform will enable Jet It's maintenance team to take advantage of the paper-to-digital movement. ![]()
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![]() ![]() With a strong emphasis on contemporary usage, all grammar points and functions are richly illustrated with examples. Part B is carefully organized around language functions covering all major communication situations such as establishing identity, making contact and expressing likes, dislikes and preferences. Part A covers traditional grammatical categories such as agreement, nouns, verbs and adjectives. Modern Brazilian Portuguese Grammar: A Practical Guide is an innovative reference guide to Brazilian Portuguese, combining traditional and function-based grammar in a single volume. By the end of this course, you will be at level A1 to A2 of the Common European Framework for Languages and Novice Low to Mid on the ACTFL proficiency scales. All audio tracks referenced within the text are free to stream or download from Recorded by native speakers, the audio complements the book and will help enhance learners’ listening and speaking skills. Colloquials are now supported by FREE AUDIO available online. ![]() This edition features: progressive coverage of speaking, listening, reading and writing skills structured, jargon-free explanations of grammar an extensive range of focused and stimulating exercises realistic and entertaining dialogues covering a broad variety of scenarios useful vocabulary lists throughout the text Balanced, comprehensive and rewarding, Colloquial Portuguese of Brazil will be an indispensable resource both for independent learners and students taking courses in Brazilian Portuguese. No prior knowledge of the language is required. Combining a user-friendly approach with a thorough treatment of the language, it equips learners with the essential skills needed to communicate confidently and effectively in Brazilian Portuguese in a broad range of situations. ![]() This new and completely revised edition of Colloquial Portuguese of Brazil provides a step-by-step course in Portuguese as it is written and spoken in Brazil today. ![]() ![]() ![]() Perhaps one site is using PHP 5.6 with MySQL, and another is using PHP 7.1 with MariaDB. Using virtual machines can significantly simplify local development when working on significantly different sites. ![]() VirtualBox is a broadly used, free virtual machine application that runs on macOS, Linux, and Windows. With 8 or 16GB of memory, it’s entirely reasonable to run multiple virtual machines at once without a noticeable slowdown. As hardware extensions for virtualization support and 4GB+ of RAM became standard in workstations, running a full virtual machine for development work (and not just on servers) became reasonable. Virtual machines are actually really old technology-older than Unix itself. However, the usual caveats around battery life and laptop hardware availability for Linux support remain. Everything you do is transferable to production environments, and there are incredible resources online for learning how to set everything up. Running a Linux distribution as your primary operating system is a great way to do local development. And, if you need to install something like the PHP mongodb or redis extensions, it’s straightforward either through the package manager or through pecl. However, once you’ve set up a local this way, you will have immediately transferable skills to production environments. For example, simply running apt install php won’t give you common extensions like gd for image processing. ![]() Instead of one bundle with “everything”, you have to know what you need to install. This is slightly more complicated than an AMP application as it requires the command line instead of using a GUI dashboard. ![]() Windows users have the option of the Linux subsystem now available in Windows 10. Linux users would use apt or yum - which would be similar to setting up on a remote server. For example, Mac users would use Homebrew and Homebrew-PHP to install Apache, PHP, and MySQL. This style of setup involves using the command line to install the appropriate software locally. Finally, the skills you learn won’t apply directly to production environments, or if you change operating systems locally. Sometimes, the configuration they ship with can deviate from your actual server environments, leading to the “it works on my local but nowhere else” problem. If your PHP app requires a PHP extension that’s not included, adding it in by hand can be difficult. However, there are some significant limitations. Simply uninstall and reinstall the app, and you’ll have a clean slate. It’s also the easiest to recover from when things go wrong. This is by far the simplest way to get a local environment up and running for Mac or Windows users. For example, MAMP contains an isolated stack with Apache, PHP, and MySQL compiled for Windows or macOS. In this model, a native application is downloaded and run locally. What’s a developer lead to do? Let's review the options available for 2018! 1. Yet, most junior web developers have little command line experience or have only been exposed to Windows environments in their post-secondary training. Many of these options require a strong, almost expert-level of understanding of *nix systems administration and management. Instead of consolidation, we’ve seen a multitude of good options become available, with no clear “best” choice. Today, I see every new web developer struggle with just keeping their locals running. After all, WAMP was getting to be rather usable and stable on Windows, Linux was beginning to be preinstalled on laptops, and Mac OS X was in its heyday of being the primary focus for Apple. If you’d asked me a decade ago what local setup for web development would look like, I would have guessed “simpler, easier, and turn-key”. ![]() ![]() ![]() “There’s just too many confounding variables. The app uses your phone’s microphone to identify sleep phases by listening to your movements in bed from up to ten inches away, filtering out any “non-sleep movement sounds,” like sirens outside or a baby crying. Sleep Cycle, one of the most popular sleep-tracking apps in the Apple App Store, promises to wake you during your “lightest” sleep phase. There are a ton of tracking apps that monitor your sleep, but most only track sound and movement: two small components of sleep. If you can’t sleep, the combination of these behaviors (or lack of them) affects you much more than the things sleep trackers can measure. The same way you brush your teeth so they don’t fall out, Grinman suggests you do the same things to keep your sleep healthy - don’t drink alcohol too close to bedtime, don’t use bright lights, and reserve your bed only for sleep. We’re talking about sleep hygiene,” Grinman says. “The trackers can help to some degree, but the most effective treatment for insomnia is cognitive behavioral therapy. But measuring each of these factors alone isn’t accurate enough to determine whether or not your sleep is “bad” or “good.” “Good” sleep, says Grinman, correlates with good habits. Even though they say they’re backed by sleep science, they’re not robustly accurate.” Grinman, like many who study sleep, says we track sleep through movement, sound, heart rate, breathing patterns (snoring), and measuring your actual brainwaves using an electroencephalogram (EEG). “A lot of these things are geared toward just the general consumer. “Everybody wants the do-it-yourself kind of thing,” he says. Lev Grinman, a New Jersey–based neurologist who studies sleep disorders, says that most smart sleep technology “isn’t necessarily what a sleep physician would use to gauge how well somebody is sleeping.” When you’re up late at night Googling “What to do when you can’t sleep,” you’ll likely come across lists of magical apps and devices that promise to help. It’s easy to self-diagnose and self-medicate bad sleep because, well, you know it when you feel it. But do we really need to send Alexa and IFTTT our anxiety-induced sleep graphs? There are countless products backed vaguely by “sleep scientists” that promise to knock you out more efficiently. And if you’re already struggling with sleeplessness, this kind of obsessive sleep-related anxiety doesn’t feel great.įrom sleep-tracking apps that record your snores to wearable, clunky, brainwave-sensing headbands that connect back to your other smart devices. ![]() Productivity-obsessed people are losing sleep researching the best sleep-tracking apps in the same way they research deep work or polyphasic sleep schedules - whatever it is we’re doing, we should optimize it to be the most productive. are vamping before bed, which has been proven to throw off your body’s internal clock (or circadian rhythm) that tells you when to feel sleepy and awake.īut even without the screens, sleeping smarter through the use of smart-home connected devices is all about making sleep hyperefficient - even if you risk improving what little sleep you’re getting by bogging it down with more screen time and gadgets. ![]() But it’s not just the teens - in 2017, the Sleep Foundation reported that 90 percent of people in the U.S. The New York Times coined the term vamping in 2014, referring to teens’ proclivity to binge on social media late at night. That’s why it’s so strange that smart sleep technology has made sleeping more connected and quantifiable than ever before. We’re supposed to log off and disconnect before bed. If you’re like me, you probably know that after a day of being extremely online, the rule for getting a good night’s sleep is hard and fast: no screens before bedtime. I spend my day glued to a laptop, squinting, often taking breaks only to walk around scrolling through Instagram and suffering bouts of distraction sickness. ![]() ![]() ![]() and Cheats Forum Question Battle Pass AFK XP farming (without cheats) We. The number won’t drop no matter what you buy. Despite being powerful pieces of hardware, the Xbox One and Xbox Series XS. Once you hit $999,999,999 it’ll stop so you can sell the mods to free up space. Place about 20 to 30 of them, set it on 120× and let it go. Alternatively, if you have atleast one person join you on multiplayer you can create new farms and have them transfer the money over and over for infinite money then up to 6 of you can all create you’re own farms and split the money to do whatever. The previous method does not work for PlayStation or Xbox, but don’t worry, there are ways to get millions of money in 10 minutes, some with mods and others without anything, we will tell you Merge Farms MethodĪs of last patch on xbox atleast, when you start in career after saving you get a message saying that all the farms (and money) have been merged and once saved it will become a single player only map. ![]() It is essential therefore to maximize your crops that you remove the weeds in their first stages of growth. Create public & corporate wikis Collaborate to build & share knowledge Update & manage pages in a click Customize your wiki, your way heltec wifi lora 32 v2. A great trick, and more considering that it does not affect the achievements as it usually happens when using console commands Farming Simulator 19 Money Cheat – PlayStation & Xbox Get Rid of Weeds to Maximize Profits If you allow weeds to fester they will become a problem when you try to cultivate your crops as they will reduce crop yeild by at least 20 which gives you less profit. FS22 INFINITE MONEY CHEAT/GLITCH (XBOX, PS5, PC)FS22 - FARMING SIMULATOR 22FS22 Preorder - https: //Farming simulator money cheat xbox one 6 button 5 pin lift chair remote. So this trick is basically infinite money. ![]() You can put the amount you want, and even edit the save file again whenever you want. Launch FS19 and load the savegame previously edited.Edit the money entry: if you want 1M “money = 1000000”.Find the Money entry (CTRL + F “money=”).Open the xml file “farms” with a text editor like notepad ++.Open the FS19 savegame’s folder of your choice.Now find the FS19 savegame: This PC > Documents > My Games > FarmingSimulator2019.The controls for Farming Simulator 19 on PC when using an Xbox One. Requires at least 1 Savegame: so start playing, save game, and completely exit the game Mouse and Keyboard controls for the PC version of Farming Simulator 19 are as follows.The money cheat consists of editing the save file, where you can edit or alter the value of the money associated with your saved games Click on the PC icon in Cheat Engine with the intention to choose the sport course of. Farming Simulator 19 Money Cheat – PC & Mac Set up Cheat Engine and Farming Simulator 19 Cheats Xbox One Double-click the. ![]() ![]() ![]() Select a category in the menu above to find the perfect Japanese emoticon. Take this as both a language and a culture lesson in one when you come to Japan, you know now why it’s important not to be KY or a kucharā! And if you go for some rejuvenating shinrinyoku while you’re here, make sure to enjoy the komorebi and kōyō that you might not have appreciated as much before they were pointed out to you. A fast emoji search experience with options to browse every emoji by name. With a great array of humorous and descriptive words for everyday life, as well as for highly specific situations, learning Japanese is a fun and rewarding way of learning about a people and culture with a fascinating history and present. Im gonna tell my kids this was insert thing here, with funny, incorrect photo, is the upgrade of wrong answers only. Discover more posts about oh the Japanese on. Nicely reflecting a lot of Japanese culture, this word is both poetic and practical.Įvery language has its own quirks that make them interesting and unique, and Japanese is no exception. See a recent post on Tumblr from paperweight-jellyfish about oh the Japanese on the last pic means vibe check. It means “leaf-shaking wind,” and it might have you shaking too! Depending on your feelings about winter, the coming of kogarashi is either exciting or foreboding. ![]() ![]() This is the first cold wind you feel in autumn that lets you know winter is fast approaching. ![]() ![]() ![]() Its limited utility makes it a special-purpose item that the hero is unlikely to carry. We also recommend you try out different hooks for caving and boss fights and see which Hook fits you the best.The Grappling-Hook Pistol is generally a fairly bulky item for a handheld pistol, though unreasonably small for the length of line and hook firing charge that it contains. ![]() All hooks have unique uses, and players can master them to perform different tricks with different hooks. As mentioned earlier, hooks are an important part of terraria, and there are a variety of hooks available. So, this was our list of the 6 best grappling hooks. All colors of the pillars can be seen on the Lunar Hook once it has been crafted. Lunar Hooks can only be obtained after taking down the four pillars during the Lunar event: Nebula pillar, Solar pillar, Stardust pillar, and Vortex pillar. Lunar Hooks allow players to fire four Hooks at once at the same time, as fast as they can hit the E key. Lunar Hookĭespite being considered one of the more powerful Hooks in the game, its tooltip reads: "You want the moon? Just grab it and pull it down!" This makes sense since it is arguably the most powerful Hook in the game. By doing this, you are able to add on to a build and then extend yourself, providing you with a greater number of angles from which to place blocks and decorate your Terraria masterpiece. The Hook can reach up to 40 tiles, which is the highest number in the game and is the first choice for those who enjoy building.īy choosing their distance from the latched point, the player can choose their proximity. The Steampunker NPC offers the Static Hook for a reasonable price of 50 coins. You can circumnavigate a lot of damage by spinning around a block in circles, especially when faced with Duke Fishron. If used correctly, it can be one of the most overpowered tools in the game, with a reach of 31.5 blocks and a velocity of 14. During the Invasion episode, Martians dropped this piece of martian technology, which defies gravity. A unique feature of the game is that it allows players to hover about a fixed point in the sky. Anti-Gravity HookĪ classic in the game, the Anti-Gravity Hook is considered by many to be the best. ![]() Due to the retract time of the Hook being less than half that of most other Hooks in the game, if the player gets the technique right, they can move extremely quickly. To get out of tight spaces, use the Hook of Dissonance. Using the Hook prevents the player from taking damage by teleporting them immediately to its location. One of the more interesting hooks in Hardmode is this grappling Hook that the Queen Slime drops. In contrast, you don't get to suspend yourself in the air, but the rapid movement that is possible with the Dual Hook makes it an excellent choice if you are trying to traverse landscapes or caves at high speeds. By using the Dual Hook, players can fire two hooks simultaneously, allowing for a greater range and velocity compared to the Ivy Whip. Players can choose what to use based on their preferences. The Ivy Whip and Dual Hook are both available in Hardmode, making them both unique tools. In addition, it has a 4% chance of dropping from Piranhas. If the player does not have access to the Goblin Tinkerer NPC, who sells a Hook for two gold coins, they must farm Skeletons, Undead Miners, Hoplites, Undead Vikings, and Piranhas until a Hook drops. The truth is, getting a Grappling Hook is not easy. The minute new players grab a Grappling Hook, they realize how difficult it is to navigate caves using ropes and wooden platforms. Whenever Terraria Hooks are discussed, it's impossible not to mention this, the original Hook, the Hook that started it all. ![]() ![]() ![]() ![]() Then, once they have finished, they can go back and re-read their notes. I like to have students jot down their notes about each section on a post-it note or in the margins of the text. This helps students identify the main idea of smaller sections rather than having to wait until the very end to think about the main idea of the text. One thing you can do is teach your students to break up the text into smaller sections and then pause at the end of each section and ask “What is this section about?” This is a great strategy to teach students if you want them to identify the main idea of a longer text. Seeing JUST the facts can help them focus on the important details related to the text and it can help them identify the main idea of the text.ħ. When students have finished reading, they can quickly look over their key facts. This can be as simple as making a bulleted list of key facts while they are reading. When they are reading nonfiction text, I like to have them make a list of key facts. This simply means that they are jotting down their questions, connections, or thoughts about the text. I love teaching my students to stop-and-jot while they read. When students think about what title they would give the text, they start to think about what the text is mostly about… which is the main idea. Ask them to think about a title they would give the text. You can either have students cover up the title for the text, or you can remove it for them. You can also teach your students to come up with their own title. Often times the title includes the topic or a keyword or phrase that can be connected to the main idea. Basically, we are teaching them that a title can be a clue or a hint to the reader that shares a preview of what the text might be about. This strategy could work in two different ways.įirst, you can teach students to look at the title and think about how the title communicates what the text will mostly be about. If they notice a word or phrase gets repeated over and over and over in a particular article or text, it’s probably a clue that it’s important to the topic and should probably be included in the main idea. They can either underline them or make a list of them on the side of the text. You can teach your students to look for keywords and phrases that get repeated in the text. We naturally repeat words or phrases that are important and the same thing happens in the texts that we read. If it’s important it will get repeated! Think about how many times you tell your students to put their name on the paper or to double-check their work. If they know that a heading will give them clues to the main idea of a specific text section, they can synthesize the information shared in the headings to help them come up with the main idea for the entire text. Hopefully, your students know and understand that headings can give them clues about what a particular section of text will be about. This can be particularly helpful if they are reading a lengthy article or a book with lots of chapters/sections. One way you can teach your students to identify the main idea is to have them use the headings or subheadings in the text. It’s important for students to understand what a topic sentence is rather than just immediately look at the first sentence and assume it states the main idea of the paragraph.īut if your students get really good at being able to identify the topic sentence, then they have a strategy that will help them focus on the main idea of the text. And it often can be… but it isn’t always. Students are often taught that the topic sentence is the first sentence of a paragraph. This can be a pretty straightforward strategy, but you have to use it with caution. If the students are identifying the main idea of an entire text, they can find the topic sentences for each small paragraph or section and then synthesize that information to create a topic sentence for the entire text. ![]() If students are identifying the main idea of a paragraph or a small section, they can just look for the topic sentence and then re-write it so it clearly states the main idea. This means that if students know what a topic sentence is and they know how to identify it, they can identify a clue that will help them figure out the main idea. A topic sentence is the sentence that will state the main idea for that specific paragraph. ![]() ![]() Īhmed N, Sunada DK (1969) Nonlinear flow in porous media. ![]() IEEE Trans Energy Convers 17(3):406–413Īfshar A, Kazemi H, Saadatpour M (2011) Particle swarm optimization for automatic calibration of large scale water quality model (CE-QUAL-W2): Application to Karkheh Reservoir. Ībido MA (2002) Optimal design of power-system stabilizers using particle swarm optimization. The corresponding values of 7.806, 14.106 and 10.506% were calculated in the unsteady flow condition, respectively.Ībbas W, Awadalla R, Bicher S, Abdeen MA, El Shinnawy ESM (2021) Semi-analytical solution of nonlinear dynamic behaviour for fully saturated porous media. As a results, MRE between the calculated (using the proposed equations in the present study) and observed (using experimental data) coefficients of friction for the small, medium and large materials in the steady flow condition was calculated as 1.913, 3.614 and 3.322%, respectively. In addition, using the analytical equations proposed by Ahmed and Sunada for coefficients a and b, high accuracy equations were presented to calculate coefficient of friction ( f) in terms of the Reynolds number (Re) in the steady and especially unsteady flow conditions in the porous media with all gradation types and Reynolds numbers. Since the Drag coefficient ( C d) and consequently the Drag force ( F d) is a function of the coefficient of friction ( f), in the present study, using Darcy-Weisbach equations binomial and three parameter equations were presented for the steady and unsteady flow conditions, respectively. If, using experimental results of unsteady flow, three parameter equation is used to calculate the hydraulic gradient in the unsteady flow condition instead of the binomial equation (by assuming a negligible value for the third term), the mean relative error (MRE) of the above mentioned gradations is improved by 22, 38 and 19%, respectively. ![]() In the present study, using the experimental data obtained from experiments performed in a steel cylinder on small, medium and large materials, using Particle Swarm Optimization (PSO) algorithm was first used to optimize the coefficients of binomial equations ( a, b) and three parameter equations ( a, b, c) to calculate changes of hydraulic gradient ( i) versus flow velocity ( V) in the steady and unsteady flow conditions, respectively. It is very important to study the steady and unsteady flow through porous media and fluid- particle interactions. ![]() ![]() ![]() HH: While much of your music does not even contain lyrics, your art still remains immensely profound what do you feel is the reason for this? There is no easy escape from our oppositional-categorization prison we made paradoxically for ourselves. Sometimes we try to find our leading thread inside the labyrinth, sometimes we try to get rid of it by conscious or unconscious self-lobotomy, feeling unbearable discomfort from it. We are able to create opposing attributes that are absolutely not in conflict. The dual nature of reality only appears to be dichotomous, when it is really of the same whole. Its co-existence does not inevitably mean anything contradictory, if we had not constructed so many artificial antagonisms during our history. It is impossible to see light – thus also to call it – without simultaneous existence of darkness. There is something that reconciles both worlds, I feel music is that path which leads closer to that point. For me, they make sense together because they arise from the same source, just like spirit and matter living together, fighting each other, but cannot be separated in our human world. Many of my works are abrasive and physical while somehow being solemn and contemplative simultaneously. Therefore the mode of my musical expression often has a confrontational nature about it. I am captured and fascinated by it and it serves as my main creative force. This struggle seems to be something important. VH: A permanent presence of inner feud is a basic attribute of our existence. Observations of two different currents of light (and dark?) HH: At times ominous and nightmarish and at others solemn and beautiful are these reflections two faces of the same phenomenon? Or do you view them as Simply, I would like them to open their subconsciousness. On the other hand, music is mightier than its creator, saying more than is even originally intended. However, for me it is the complete opposite, because the intent is a spiritual purgatory and the impact might feel like as an intense violent flooding. For example, my music has been referred to as devilish, dark and disturbing. But I must say, sometimes I am surprised by some reviewers descriptions. Ideally, the audience would discover and open that space. Music is able to explore and reveal a deeper underlying reality in contrast to the phenomenological world. I would like to know myself what they imagine! I would like them to escape from the limitations of rationality, which seems to pervade everything, into another dimension. VH: Excellent question and an important one. HH: What kind of effect would you like for your art to have on those who listen with intent? Therefore, I am very often surprised by some people’s descriptions of my music as bombastic, I don’t consider them that way, I feel it as theĮpitome of the natural cognitive process. Transient “hyper state” while creating music, I don´t feel any horror or joy, any positive or negative connotations, only some kind ofĪwakening. ![]() This confrontational style sounds probably maddening, but when I find myself in that “physical” sense from my music despite its spiritual themes. This might be the reason why some listeners get a physical impact or accented Is able to be an authentic description and expression of that transubstantial act. So, I attempt to realize that struggle in music with the belief that the music That trial cannot be under way without a fight and pain, whether inner, silent, latent or blatant and violent. I try to somehow transform our physical reality. ![]() I admit – I am aware of their presence intensely in my mind, being at the same time absorbed by a mordant, overwhelming feeling of impossibility From my point of view, it is natural to long for “other worlds” – which means for me longing for the cognition of our Do you believe it‟s possible your art evokes HH: Your art emanates some truly horrific sounds wherein seems to dwell something otherworldly. Their own intricate facets and dimensions emerges what Vladimír Hirsch calls INTEGRATED MUSIC, his living essence manifested. From the sacred union of these styles and VLADIMÍR HIRSCH interview for HEATHEN HARVEST (selection)Ĭzech sound alchemist, Vladimír Hirsch, has been composing and experimenting with modern classical, dark ambient, and industrial music for over two decades.īy using both electro-acoustic and digital techniques he is able to create fascinating scapes of aural expression. ![]() |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |